From Tyler: I’ve been thinking lately about writing a book on accent acquisition. Which has mostly resulted in me thinking about the challenges associated with writing a book on accent acquisition. And I’ll say up front: I know other Knight-Thompson teachers are laboring away at this very same idea, most of them much further along than I am. This blog post in no way aims to undermine their efforts, but rather explore the goals and challenges associated with accent acquisition education that arise when I think of writing a book on the subject. I’d love to have current authors’ […]
All actors should learn narrow transcription. And I mean super narrow, with multiple diacritics hanging off of every symbol like crazed Christmas ornaments. All teachers and coaches should employ similarly narrow transcription in all their prepared materials, and whenever taking or giving phonetic notes. They should not water down the detail even when preparing materials for or giving notes to actors who don’t know any phonetics. If these actors can’t handle it, well, that’s just too bad. They should have paid attention in speech class. No. I’m pretty sure some people think that’s what I believe. I don’t. I think […]
Today we bring you a guest post by Eric Armstrong, who teaches voice, speech, and text at York University. As a voice and speech teacher, I’ve been very lucky to have some great role models, mentors, colleagues and master teachers, all of whom have greatly influenced my approach to the art of teaching. I’ve also been very happy to have the opportunity to be a trainer of trainers, leading a speech and accent seminar as part of the now-closed Graduate Diploma in Voice Teaching at York University from 2003-2015. Any voice/speech methodology that has a teacher training program needs to […]
This blog post is an open inquiry: what is the value of teaching broad transcription to actors these days? Every fall, I teach phonetics to my first-year acting students at Rutgers. Every fall, we go through the empty consonant chart, attempting to make each possible physical action – both voiced and unvoiced – in each individual cell. This physical exploration usually goes smoothly – sorting through the resulting consonant sounds as either familiar or unfamiliar depending on whether it’s a sound that actually occurs in some human language and on what languages my students speak – until we get to […]
We have so many avenues for communicating to a wider audience and amongst ourselves; what is it that a blog can do that isn’t handled by Facebook, or by Vastavox or by countless other speech/accent/phonetics blogs? Our hope is that this is a place where an idea can be proposed, and articulated with a little care, and the members of this community can weigh in to discuss it. It will be up to our blog authors to set out questions and challenges that can stimulate a conversation, but should also be a place where people who have encountered Knight-Thompson Speechwork can engage in […]
We’ve just established an email address for the blog. You can now write in with questions to: email@example.com We’d love to hear from you. Any question you may have about transcription, exercises, pedagogy, philosophy, linguistic resources, etc.—send them in! (The one area I think we can perhaps leave for other forums is requests for help finding resources for specific accents. Those discussions are probably best had on vastavox or the Facebook page. Let’s leave this forum specifically for questions to do with Knight-Thompson Speechwork, phonetics, teaching, coaching, linguistics, etc. I think that’ll be plenty!) Bring us your questions!
I want to share with you a short series of long e-mails between Erik Singer and me on the subject of how to deal with the desire of students to learn some form of “General American.” Erik began the discussion with a thoughtful and thought-provoking e-mail to Phil and me, from which he has given me permission to quote at length: I’ve been having an interesting year, and wanted to share some thoughts with you. Should either of you have the time and inclination to respond, it goes without saying that I would be fascinated to hear your thoughts […]